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Engle, Margarita and Rafael Lopez. Drum Dream Girl: How One Girl’s Courage Changed Music. Boston: Houghton Mifflin Harcourt, 2015. ISBN: 0544102290
SUMMARY:
Drum Dream Girl is about a girl who was told that girls on
the island of Cuba didn’t play drums.
But, she was a drummer at heart, and persevered to play drums in her dreams.
She couldn’t deny who she was, and therefore she continued to play drums when
should could and in her dreams. The girl continued to practice and she was
finally allowed to play in public, where she was so amazing that everyone
agreed: girls should be allowed to play drums.
CRITICAL ANALYSIS:
This lovely poetry book is about how a girl’s courage
changed a perception in Cuba in the 1900s that it was taboo for girls to be
drummers. The girl was continually told by her father and others that girls don’t
play the drums, but she couldn’t help herself. She drummed her fingertips on
items in her house, and played every type of drum she could find. Her sisters
even joined, showing that courage is contagious. She couldn’t deny her dreams,
and so she continued to drum, until her father got her a drum teacher to find
out if she was good enough to keep playing. This act of love from the father shows
insight into the Cuban culture. They are loyal to traditions, but value family
intensely. The father did not agree that she should play, but he recognized her
perseverance and courage, and decided to help her. The two main characters in
the story are the girl and her father, who both are dynamic in nature. The girl’s
desire and courage towards her dream continues to build in the story, and her father
ultimately changes his mind about his daughter playing drums. It is a
satisfying story and one that will teach children to dream big dreams.
This story shows that children can achieve their dreams with
perseverance and courage. The girl
practiced and practiced, and one day was good enough to change the way an
entire island felt about girl drummers. A
historical note informs the reader that this story is based on a true story in
1932. Millo Castro Zaldarriaga was a Chinese-African-Cuban girl who broke
Cuba's traditional taboo against female drummers when she performed with her
sisters in Cuba. She then went on to perform for First Lady Eleanor Roosevelt.
Now there are many female drummers in Cuba.
REVIEWS AND AWARDS:
Charlotte Zolotow Award (2016)
Pura Belpre Metal for Illustration (2016)
Asian/Pacific American Award for Literature for Picture Book
Honor (2015)
School Library Journal:
"In Cuba, Millo Castro Zaldarriaga longs to play her drums
for all to hear, but on her island only boys are allowed to perform with drums.
She perseveres and continues to play and to dream. Eventually, she is invited
to join her sister's all-girls band. Her father will not permit her to perform
with them, though he allows her to be taught. She continues to practice and
dream of a time when she can perform. Finally, she is able to perform in
public, and she convinces those who listen that girls, too, can play drums.
Adriana Sananes's musical voice invites listeners to dream along. Lovely music,
drumbeats, and sound effects accompany the entire tale. The audio production
includes a second track with page turns, and a historical note is included in
the final track. VERDICT Inspired by a true story, this is a wonderful addition
to any collection."
Kirkus Review:
“Pura Belpré winner and Newbery honoree Engle, known for
writing free-verse historical fiction, introduces readers to Millo Castro
Zaldarriaga with this illustrated poem, inspired by her subject’s childhood. Millo
became a world-famous musician at quite a young age. Before fame, however, as
Engle’s account attests, there is struggle. Millo longs to play the drums, but
in 1930s Cuba, drumming is taboo for girls, “so the drum dream girl / had to
keep dreaming / quiet / secret / drumbeat / dreams.” This doesn’t stop Millo;
she dares to let her talent soar, playing every type of drum that she can
find. Her sisters invite her to join their all-girl band, but their father
refuses to allow Millo to play the drums. Eventually, her father softens,
connecting her with a music teacher who determines that her talent is strong
enough to override the social stigma. The rhythmic text tells Millo’s story and
its significance in minimal words, with a lyricism that is sure to engage both
young children and older readers. López’s illustrations are every bit as poetic
as the narrative, a color-saturated dreamscape that Millo dances within,
pounding and tapping her drums. Though it’s not explicit in the text, her mixed
Chinese-African-Cuban descent is hinted at in the motifs López includes. A beautiful account of a young girl’s bravery and her
important contribution toward gender equality in the creative arts.”
CONNECTIONS:
An extension activity for students after reading Drum Dream Girl would be to showcase
some Cuban music that incorporates drums. The following website has information
about the history of Cuban music. http://www.hostedhavana.com/resources/cuban-music-history.
Students could learn about the history of the music, and attempt to recreate
the Cuban music themselves.
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